I added 18 images to my Scotland gallery today. And I deleted two that I do not like anymore.
Even though I am still sitting on plenty of unprocessed scans and raw files, you can now see a pretty much comprehensive collection of photographs that I made during my four trips to Scotland over the past few years.
The gallery might look somewhat "over-Eigged" I agree. But I must say that the Isle of Eigg was one of the greatest photographic experiences I have ever been through. One tiny beach, one beautiful island on the horizon, one week of returning to the same place of mickle moods and designs.
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First off, we would like to thank you all so much for the interest in our exhibition. Also, the turnout for the opening could hardly be any larger, we're so grateful! It will take few more days only so those who missed it for any reason, please don't be scared to visit Cafe Velryba and check it out. Here's what you get to see in colour, but it's always more impressive live than virtually:
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I went to Scotland again last week. It was a family and friends outing this time. I relearnt to enjoy great outdoors in a normal daytime, in a slower tempo, with completely different people and with no camera...
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I attended workshop organized by Bruce Percy on island of Eigg in Scotland two years ago. The workshop itself was amazing experience for me and I really enjoyed the company of Bruce and other photographers. It was also my first visit to Scotland and found it so beautiful that I put Scotland firmly to my photo destination list.
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We have been very quiet over the last few weeks, but it should change soon. Today I would like to let you know that I just added some new photographs from Scotland into our gallery section here. These photographs represent my selection for our upcoming exhibition Marek and I will have in September this year in Prague.
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Marek recently wrote reviews on Phase One medium format digital system, therefore I thought I should add short review or rather to say my opinion about fully analog Mamiya RB 67 medium format camera. Analog photography has become very marginal over the years and a lot of cameras and lenses had been discontinued, but I can say that new wave of interest in film photography has been emerging recently. If you are thinking about experimenting with film or moving one step higher from 35 mm camera system, this might help you.
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I have been working quite intensively on my current project “Small World” over the last couple of months. It is something little bit different from my usual landscape photography. Therefore, I am quite curious how everything turns out in the future. Right now I am enjoying it very much.
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I would definitely use a better weather when shooting Phase One IQ250. I only had couple of days on Isle of Harris with this chubby baby. Not enough. The very most of time spent either drying it or admiring its design. Or, testing the wi-fi connected to my iPad and Capture Pilot app. This is by the way a lovely feature.
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Do not get misled. I am not an expert in night photography. Not at all. There are plenty out there such as Ben Canales, just to name one. I have not taken more than a dozen night shots in my life. And at least ten of them with my iphone when drinking at a friend's stag night. Hence this is not a tutorial for shooting stars. Look at Alister Benn's articlesif you want to read a truly good one.
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I have been using Phase One backs since 2009 when I got lucky with a reasonable price on refurbished P30. Back then, I intended to get rid of the digital SLR that I carried as a back up for my film medium format camera so that I can entertain one system only. I ended up with Hasselblad H1, on which I could switch the Phase One with a film cassette. It is a very handy set up that contains one medium format body and three lenses only, but allows shooting film or digital as desired. With some alterations, I enjoy using it until now.
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Our blog has been quiet for some time, so I think it is time to bring some life back here. Marek and I have been very busy with our daily jobs recently, and it has been extremely difficult for me to find some extra time to sit in front of computer screen also at home. But do not worry we have not abandoned photography and this blog at all. We are still here and continue this journey, even though in a bit slower pace than we would wish. Today I would like share an update on what I have been up to recently.
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We are now sitting in a small bar in Tarbert, on the beautiful Isle of Harris for the second consecutive day. The good news is that it's just a few steps from the ferry terminal so it's likely we are not going to miss one when it goes. The bad one though is that no ferry to the mainland has been permitted due to the harsh winds over the past 48 hours. By now, we both have missed our flights to home and exhausted any topic that could have been talked (except for photography that is endless), including serious thoughts about settling down over here for good.
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It was a pretty dull early morning there on Isle of Eigg, but we decided to go explore the place despite, as we just arrived. It took a few hundred meters to get from the lodge we slept in to the Bay of Laig, the beautiful sandy beach with the amazingly photogenic silhouette of Isle of Rum in view right on the horizon. We found the beach fully naked, with the lowest tide revealing lovely sandy mosaics and structures. They were constantly on the move, as small streams of the water played with the dark and light sands mixing them nicely together. Fascinated I walked carefully on the moving sand looking for some strong schemas for the foreground. The lighting looked awful (to no surprise for me - I'm used), but we have had the entire week for this place so I remained calm and actually enjoyed a lot that I don't need to be in a rush here whatsoever.
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Okay, I'm perhaps exaggerating on both ends here but all I am trying to show in this post is my photographic process of getting from the first brief snapshot of subjects that grabbed my attention to the final image I am very satisfied with. I explain working with the composition and other considerations, out in the field. Ota and I attended the workshop with Bruce Percy couple of weeks ago. We spent couple of mornings and evenings photographing Bay of Laig on the Isle of Eigg. I packed my stuff and slowly headed for breakfast when I noticed interesting sand waves created by the low tide water. Also, some nice heavy clouds started to group above Rum on the horizon.
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Marek mentioned here that we spent a great week on Isle of Eigg attending workshop with well respected photographer Bruce Percy. I have never been to photography workshop before, so I had no idea what to expect, but somehow I took more rolls of film than I usually take for one week long trip. It was good decision since, I did manage to take 27 rolls of medium format film despite the fact that we went only to two locations during the entire week. Now is time to develop them, which might take approximately three weeks. In my previous post here I was describing how I do expose my black and white negatives, so now I would like to follow up and share how I do develop them. Before I begin, I want to emphasize the fact that I am describing here the way I work, which might not work for other more experienced darkroom masters. As I mentioned earlier I am exclusively using Kodak T-Max films.
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We are now about 10 miles off the Scottish west coast, on Isle of Eigg. Wikipedia says it's 9 km long and 5 km wide (which makes its total area of 31 square kilometers). Locals say there are about 100 people permanently living here. That means we have seen the most of them in the small harbour pub when we arrived. Bruce Percy is saying it is one of the most photogenic islands in Britain. We have not seen many of them but we both absultely trust Bruce and our own eyes.
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Today just very briefly. The weather has been extremely hot here during last few days, so I am not able to write anything interesting nor meaningful. Therefore I just want to let you know, that I added few new black and white photographs from Lake Geneva area to our gallery section here. Lac Leman has been my ongoing project for several years and I am now getting to know the lake little bit more. I have discovered few new places recently, which I would like to revisit, when the conditions get ready. Summer time is usually very busy around the lake, so I will wait until late September, when holiday season is over, and I will be able to enjoy again those very special quiet mornings, which I like so much. My plans for summer are quite simple, I would like to spent as much time as possible in darkroom and also to do some mountain hiking. I hope you enjoy those new photographs and survive this heat wave:)
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Last week, the interesting ruling of a court in the UK came to my attention. Actually, it caused quite a lot of buzz within landscape photographers community in social as well as serious media. In a nutshell, and very simply put, the judge looked at the two images linked here and decided that the second photograph was a copy of the first one. Looking at it from the landscape photography perspective and with no further details (as many people shared the news this way), it's scary. Bloody scary (do I really need to know each and every photo made from a specific location to be on a safe side??). Here, even the compositions significantly differ (not to mention the ugly effect of partial desaturation that however, as I learnt later, might have had some 'artistic' intention to support sales of souvenirs but this is a different story). I got genuinely interested hence I read the copy of judge's justification.
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