I added 18 images to my Scotland gallery today. And I deleted two that I do not like anymore.
Even though I am still sitting on plenty of unprocessed scans and raw files, you can now see a pretty much comprehensive collection of photographs that I made during my four trips to Scotland over the past few years.
The gallery might look somewhat "over-Eigged" I agree. But I must say that the Isle of Eigg was one of the greatest photographic experiences I have ever been through. One tiny beach, one beautiful island on the horizon, one week of returning to the same place of mickle moods and designs.
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We are extremely pleased to announce that today, our exhibition of colour and black and white photographs from Scotland begins. It takes place in Cafe Velryba, Opatovicka 24, Prague 1 until September 30.
You all are invited to come and see 39 images, of which 20 are hand made by Ota via his traditional darkroom process and the remaining 19 are not so much hand made, but beautifully printed by my Epson with love.
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I went to Scotland again last week. It was a family and friends outing this time. I relearnt to enjoy great outdoors in a normal daytime, in a slower tempo, with completely different people and with no camera...
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I would definitely use a better weather when shooting Phase One IQ250. I only had couple of days on Isle of Harris with this chubby baby. Not enough. The very most of time spent either drying it or admiring its design. Or, testing the wi-fi connected to my iPad and Capture Pilot app. This is by the way a lovely feature.
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Do not get misled. I am not an expert in night photography. Not at all. There are plenty out there such as Ben Canales, just to name one. I have not taken more than a dozen night shots in my life. And at least ten of them with my iphone when drinking at a friend's stag night. Hence this is not a tutorial for shooting stars. Look at Alister Benn's articlesif you want to read a truly good one.
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I have been using Phase One backs since 2009 when I got lucky with a reasonable price on refurbished P30. Back then, I intended to get rid of the digital SLR that I carried as a back up for my film medium format camera so that I can entertain one system only. I ended up with Hasselblad H1, on which I could switch the Phase One with a film cassette. It is a very handy set up that contains one medium format body and three lenses only, but allows shooting film or digital as desired. With some alterations, I enjoy using it until now.
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We are now sitting in a small bar in Tarbert, on the beautiful Isle of Harris for the second consecutive day. The good news is that it's just a few steps from the ferry terminal so it's likely we are not going to miss one when it goes. The bad one though is that no ferry to the mainland has been permitted due to the harsh winds over the past 48 hours. By now, we both have missed our flights to home and exhausted any topic that could have been talked (except for photography that is endless), including serious thoughts about settling down over here for good.
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It was a pretty dull early morning there on Isle of Eigg, but we decided to go explore the place despite, as we just arrived. It took a few hundred meters to get from the lodge we slept in to the Bay of Laig, the beautiful sandy beach with the amazingly photogenic silhouette of Isle of Rum in view right on the horizon. We found the beach fully naked, with the lowest tide revealing lovely sandy mosaics and structures. They were constantly on the move, as small streams of the water played with the dark and light sands mixing them nicely together. Fascinated I walked carefully on the moving sand looking for some strong schemas for the foreground. The lighting looked awful (to no surprise for me - I'm used), but we have had the entire week for this place so I remained calm and actually enjoyed a lot that I don't need to be in a rush here whatsoever.
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Okay, I'm perhaps exaggerating on both ends here but all I am trying to show in this post is my photographic process of getting from the first brief snapshot of subjects that grabbed my attention to the final image I am very satisfied with. I explain working with the composition and other considerations, out in the field. Ota and I attended the workshop with Bruce Percy couple of weeks ago. We spent couple of mornings and evenings photographing Bay of Laig on the Isle of Eigg. I packed my stuff and slowly headed for breakfast when I noticed interesting sand waves created by the low tide water. Also, some nice heavy clouds started to group above Rum on the horizon.
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Marek mentioned here that we spent a great week on Isle of Eigg attending workshop with well respected photographer Bruce Percy. I have never been to photography workshop before, so I had no idea what to expect, but somehow I took more rolls of film than I usually take for one week long trip. It was good decision since, I did manage to take 27 rolls of medium format film despite the fact that we went only to two locations during the entire week. Now is time to develop them, which might take approximately three weeks. In my previous post here I was describing how I do expose my black and white negatives, so now I would like to follow up and share how I do develop them. Before I begin, I want to emphasize the fact that I am describing here the way I work, which might not work for other more experienced darkroom masters. As I mentioned earlier I am exclusively using Kodak T-Max films.
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We are now about 10 miles off the Scottish west coast, on Isle of Eigg. Wikipedia says it's 9 km long and 5 km wide (which makes its total area of 31 square kilometers). Locals say there are about 100 people permanently living here. That means we have seen the most of them in the small harbour pub when we arrived. Bruce Percy is saying it is one of the most photogenic islands in Britain. We have not seen many of them but we both absultely trust Bruce and our own eyes.
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I took a long break from everything for the last 3-4 weeks hence the return to all the ordinary lives has been quite uneasy. I am now slowly getting back to all stuff I left behind in 2011. Before I happen to take any image this year, I thought it could be refreshing to look back and browse through my images for a while to see - what exactly? Don't know, really. Not that I expected to find anything mind-blowing. I actually awaited nothing. And, for a wonder, I found nothing. But going through my archive I realized I had seen so many beautiful places on Earth (in Europe, more precisely, but Earth surely sounds more fatal) that I struggled to say, which of them was the best looking. My database is organized by places and I got stuck switching from one folder to another to identify my Place (Miss) World (okay, Europe). I finally sorted them down but apparently not by the final result in the form of a photograph, but by the appeal a place has been having on me. And while PJ Harvey is trying to Let England Shake with her gorgeous voice, I list 5 of them for you below:
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