It's no surprise that the autumn is my favorite season to photograph Slovakia. I'm definitely not going to be the only one. Rich color palettes, foggy moods and (relatively) stable weather make chances of creating an interesting image higher. Every year I try my best to set apart couple of weekends for shooting in my home land and it was no different this autumn. I have been there two-three times and it's over now, processed films are scanned and I enjoy going through them before choosing which may be worth to finalize. Comparing results over last few years, I have to say that the past years' fall colors were much chunkier and richer probably for an extremely dry weather this year.
Read moreView Point
It has been few months since I bought the Ebony 4x5 camera and I have been quiet busy learning how to use it since then. For my personal education I borrowed the famous Jack Dykinga’s “Large Format Nature Photography” book from Marek, and I bought “View Camera Technique” by Leslie Stroebel on Amazon. Both of these books are proving great introduction to large format camera system, but the latter gives more technical details, to which I personally begun to understand just after I started to use my camera and be able to test all the tricks in real life. I am still quite far away from mastering the large format camera technique, but I am slowly discovering the amazing potential, which such camera can provide to landscape photographer. I am especially impressed by the possibility to get the ultimate control of the “Depth of Field” even with wide angle lenses, which is quiet difficult to achieve with any other camera system I have used yet. What I actually mean is that I am now able to get just very small area in focus, while the rest is remaining blurred or out of focus, something like the lonely bench in this photograph.
Read moreSony NEX-5n - More Than a Scrapbook
As I slowly climb my learning curve with the technical camera, I'm being introduced to its stumbling blocks of various kind. One of them, and quite major, is that I find difficult to compose and eventually focus with a wide angle lens in low light conditions. The converted reflection of a scene on the ground glass is simply too dark to work with it. Also, when I want to preview how the image might look like, there is no viewfinder for almost an instant feedback. It obviously takes considerable amount of time to set the system up, put a dark cloth over my head and see what the final result could look like. If I don't like what I see, I need some 5 minutes to pack it back. For these reasons, I decided to look for a small camera to use for sketching designs and previewing scenes.
Read moreSouvenir from Iceland
Having started to plan my third visit to Iceland for March next year, I am closely watching news on signs of an increased seismic activity of Katla volcano with hopes nothing serious will happen that would stop us from going there. On the other hand, some 'peaceful drama' that would not hurt nothing can be of a desire. But of course, just to add sceneries to our trip rather than cause a massive disruption in air traffic as Eyjafjallajokull did last year. Well, I cannot influence anything hence staying tuned in case I will have to replace an airplane with a car. In the meantime, I look forward to photographing this wonderful place on Earth during winter. I also keep myself busy thinking whether to take my Linhof Techno kit to enjoy more and shoot less, or Hasselblad to be on a faster and safer side. The latter is winning by a nose right now because of my previous experience with the weather. It changes so quickly that I would face a huge risk with my Techno to become just a passive beholder rather than doing an action packed photography. It reminds me one of my most favorite image from my first trip to Iceland in 2009.
Read more