I have been drawn to the mountains since my very young age. I admire their shapes, their magnitude and their strength. They have been here for millions of years, which makes me feel so little when I stay next to their giant rock walls. I do enjoy their quietness and some sort of slowness of time while I am there. I can find my own internal peace. However, it was not my interest in climbing or skiing which made me to go there at the first place. It was originally my passion for landscape photography, from which all my other interest slowly evolved.
Read moreSmall World - Part Two
Fist public presentation of this latest project of mine is done, and after all I am very pleased with the feedback I received over the long weekend in Gex in October last year. As I do not have regular exhibitions it is always very special event for me. The closer itI become to opening ceremony, the doubtful I was. The voice in my head was constantly asking the unpleasant questions “how people will react to it?”, “will they understand?”, “will they find it interesting?” etc. These questions were permanently on my mind, as it is impossible to hide behind computer screen and internet anonymity during the exhibition. I have to face and talk to real people who give me immediate verdict about my work.
Read morePhotographs with words
As I mentioned here I have quite decent collection of book about photography. One book, which I like quite a lot is Michael Kenna’s “Love in Black and White”. This books combines amazing Kenna’s photographs with very special poems written by Bianca Rossini. I have always found this combination of the photographs and words as the “ultimate” form of art, and I was dreaming how nice it would be to have a chance to accompany my own photographs with some meaningful words. The problem is that I not very good with words and to write a poem would be definitely a huge disaster. Therefore I was very please, when I got email from Joshua Sellers asking me for approval to use my photograph “Between” with his own translation of passage from Marcus Aurelius. You can see the result here. I think it is very nice and I really like it. So maybe I should start little projects and try to found more meaningful words for my photographs. I am convinced it would be very rewording process and the results might be worth of the extra work.
Read moreTime
It has been more than four years since I moved to Geneva. I still remember my excitement from the fact that I had not been so closed to the mountains before and I was so convinced that I would spent all my free time hiking and photographing in the mountains. So that was the plan, however the reality was quite different. There was always something that stopped me from going up there or I was just so lazy and tired from my daily job that I was finding excuses why I should stay home. At the end I have not taken as many photographs in the mountains as I wished four years ago, but I still have a lot of great “mental” photographs in my mind, which I will have a chance to take next year or year after that or...
Read moreView Point
It has been few months since I bought the Ebony 4x5 camera and I have been quiet busy learning how to use it since then. For my personal education I borrowed the famous Jack Dykinga’s “Large Format Nature Photography” book from Marek, and I bought “View Camera Technique” by Leslie Stroebel on Amazon. Both of these books are proving great introduction to large format camera system, but the latter gives more technical details, to which I personally begun to understand just after I started to use my camera and be able to test all the tricks in real life. I am still quite far away from mastering the large format camera technique, but I am slowly discovering the amazing potential, which such camera can provide to landscape photographer. I am especially impressed by the possibility to get the ultimate control of the “Depth of Field” even with wide angle lenses, which is quiet difficult to achieve with any other camera system I have used yet. What I actually mean is that I am now able to get just very small area in focus, while the rest is remaining blurred or out of focus, something like the lonely bench in this photograph.
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