If you would like to get yourself a fine art photograph and help to support people in Nepal in the same time, you can help artist from Art Upfront to rise funds by buying their fine art photographs. A lot of artist, including me, decided to be part of this big effort and donate entire profit from sale to charity. You can see all available photographs here.
Read moreArt Upfront Gallery
We would like to let you know that Ota’s silver gelatin prints are now available for sale trough Artupfront online gallery curated by two very know persons in the wold of fine art photography Hilde Bodbij and Frans Peter Verheyen.
Read moreEvolution of a Print
I attended workshop organized by Bruce Percy on island of Eigg in Scotland two years ago. The workshop itself was amazing experience for me and I really enjoyed the company of Bruce and other photographers. It was also my first visit to Scotland and found it so beautiful that I put Scotland firmly to my photo destination list.
Read morePhoto Exhibition in Prague
I would like to let you know, that I am going to have small photo exhibition in Prague. I will be shoving my silver prints from Iceland in Cafe Pražírna in Prague 2. Exhibition starts this week on Thursday February 26, 2015, and I will be present there from 6:00 pm until 10:00 pm, just in case you will be around and would like to see the photographs and me:) In case you will not be able to make it this week, do not worry, the photographs will be there until April 17, 2015.
Read moreAnnouncing Winners of The Print of Their Choice
Today is my birthday. I received few nice presents and plenty of kind wishes. Now it's my (better said our) chance to give something back. So I'm happy to announce winners of Land & Colors' prints of choice giveaway that we launched on November 30. The winners are:
Read moreFine Art Print Giveaway
Yes, you can win a fine art print of your choice now. Shipment included.
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Read moreInspiration for photographers
I wanted to write about something totally different today. But I spent quite a lot of time in darkroom yesterday, and it was not the easiest session (a lot of paper got wasted), it really took me long time to get all the tiny little details right in final prints. It was hard work, but when I came today to pick up the dry prints I could not believe how well the prints turned out. The hours of work really paid off. The prints look really great! I really enjoy the incredible scale of gray tones and their smooth transition, which in my opinion makes silver gelatin prints very special.
Read moreSilver Gelatin Prints
Today I would like to announce start of this new product. Until now we have been offering inject prints only in our shop section, but from today I would like to offer you unique chance to buy newsilver gelatin prints. My objective is to print a new print in archival quality every month and present it here. I am also planning to share all details about the printing process and the photograph itself. I have found this inspiration in LensWork magazine and I strongly believe in systematic work, so I am willing to put this kind of pressure on me from now on.
Read moreDarkroom Experience
It is very obvious that I have been through significant transitions over the last few years. From color to black and white, from digital to analog and from fast to slow process. I cannot really say what was the trigger for me to undergo such changes, but I already know, that I am getting more enjoyment form my photography than any other time before. There are also moments of high frustration, when things are not coming out right, but still the level of satisfaction when you get one good print out of developer is extremely high.
Read morePhoto of the Week – August 7, 2011
Today was quite special day for me, since I went to a first photo workshop in my life. The topic was traditional black and white printing, and my tutor was one of the best printers in Geneva region, or maybe in whole Switzerland, Aurélien Garzarolli from Actinic studio here in Geneva. We started at 9 am with some introduction to silver gelatin black and white process and after a while I was learning how to use masking tools for dodging and burning with some prints on RC paper. In the afternoon, when I got some confidence with using the masking tools, I had a chance to start with printing on baryta papers (Ilford Multigrade FB Warmtone). I do realize that I am still influence by this experience, but watching the photograph to slowly emerge on baryta paper is somehow special and when I saw the final photograph under normal light, with all the deep shadows, rich whites and smooth gradient in mid tones, I was very very impressed, despite the fact that my mentor was not so happy about my first print, but that was kind of expected:)
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