I'm not a great believer in luck but we've spent some significant amount of time trying to collide with it. Except for exploring various spots and photographing for the most of our days here in Iceland, we have been checking out forecasts (weather and aurora forecasts) and moving around so that we maximized our chances to see northern lights.
Read moreBrief Report From Iceland
We are both on Iceland now where we experience everything and more, but the good light. Sometimes, however, we get to see a northern light. Better said, we've had some northern lights once. In the middle of the island, in Landmannalaugar. Yesterday. Our hopes for the rest of our stay remains high though. These trips are really great for us to get together and spend some time together and over photography. There's hardly any better place to do this than moody and dark Iceland.
Read moreIceland Calling
"The one who has seen the light has seen the true Iceland and will never lose sight of it again." Pall Asgeir Asgeirsson in the foreword to the book of Daniel Bergmann Iceland Landscapes. It was back in 2009 when I first travelled to Iceland, with two particular interests in mind. I looked for much simplified landscape from what I used to know in the Central Europe. And I hoped to photograph when the nordic sun stays shallow below the horizon and the bright nights still provide enough lighting to do so. But I found much more.
Read moreCanon 5D Mark III
This new camera from Canon has been rumored for many moths and finely on Friday, March 2, 2012 Canon launched this new generation of 5D series. I am not technical expert, so I do not want to write a technical review I will leave that for others, but since I own Canon 5D mark II I feel I can write about my own impressions and whether I am going to upgrade or not. So for those who do not want to read the full story, I can say right now that I am not going to upgrade and I will stick to my current camera until it keeps working. I am seriously very happy with it and most of the new features of mark III are not really important for my work. I believe that Canon is right in saying that they listened to the existing 5D mark II users and they tried to satisfy most of their needs. Internet was full of complains about the mark II autofocus and speed with only 3.9 fps. I am not expert on video functionality, but there were also few complains in that area, which Canon tried to solve trough firmware updates.
Read moreThe Essence of Selfoss
In a couple of weeks, we shall again depart north for our annual photography outing (i.e. no business, no family, no problems - just shooting). Though we initially planned Lofoten, for some reasons we ended up going to Iceland once more, this time in winter. So no wonder I go through my older work when planning the trip. I've posted some texts and images already here and some other, too. And a few more here and even Ota created a video. We simply love the place. I have many more photographs to share but one place was really special. Read on. (Summer 2010)... After having spent few miserable rainy days in the fishermens village near Landmannalaugar, we lost patience and decided to cross the island to try our chances in the north. The journey itself turned into much more adventurous event than what we expected, with rough rocky roads, deep and wild river crossings and endless lava fields to go through.
Read moreBlack and white workflow – Part 2
Few months back I wrote first part of this black and white workflow tutorial and I really did not expect that it would take me so long to come up with part two. So here it is:) As I said last time I prefer to have just simple grey files as a starting point. It helps me to select only the strong photographs, which I really want to present. I can imagine that everybody has their own system how to mark and rate photographs so just only briefly about my way. All photographs, which I convert to black and white get red label (number 6 in Lightroom) and during the selection process I do rate individual pictures with stars and one star means that this picture is ready for further adjustments.
Read moreSouvenir from Iceland
Having started to plan my third visit to Iceland for March next year, I am closely watching news on signs of an increased seismic activity of Katla volcano with hopes nothing serious will happen that would stop us from going there. On the other hand, some 'peaceful drama' that would not hurt nothing can be of a desire. But of course, just to add sceneries to our trip rather than cause a massive disruption in air traffic as Eyjafjallajokull did last year. Well, I cannot influence anything hence staying tuned in case I will have to replace an airplane with a car. In the meantime, I look forward to photographing this wonderful place on Earth during winter. I also keep myself busy thinking whether to take my Linhof Techno kit to enjoy more and shoot less, or Hasselblad to be on a faster and safer side. The latter is winning by a nose right now because of my previous experience with the weather. It changes so quickly that I would face a huge risk with my Techno to become just a passive beholder rather than doing an action packed photography. It reminds me one of my most favorite image from my first trip to Iceland in 2009.
Read morePhoto of the Week - August 28, 2011
This is probably my favorite photograph from both trips to Iceland. I took it last year in the northern part of Iceland in area called Krafla. There were definitely much more interesting subjects to photograph, but I was quite impressed with this view, where the last remaining snow splotches created a great contrast against green grass and dark cloudy sky. It was also one of my first experiences with medium format analog camera. I had had my Contax 645 for just few weeks before this trip. Unfortunately, I do still do not have a long lens, so I had to use standard 80 mm lens instead. I was little bit worried that the sky will be little bit to big for such small motive like that, so I decided to use long exposure, and was hoping that the moving clouds will get the very much needed third dimension to this relatively flat scene, and I was also hoping that the photograph would get the kind of feeling of “unstoppable time”.
Read morePhoto of the Week – August 7, 2011
Today was quite special day for me, since I went to a first photo workshop in my life. The topic was traditional black and white printing, and my tutor was one of the best printers in Geneva region, or maybe in whole Switzerland, Aurélien Garzarolli from Actinic studio here in Geneva. We started at 9 am with some introduction to silver gelatin black and white process and after a while I was learning how to use masking tools for dodging and burning with some prints on RC paper. In the afternoon, when I got some confidence with using the masking tools, I had a chance to start with printing on baryta papers (Ilford Multigrade FB Warmtone). I do realize that I am still influence by this experience, but watching the photograph to slowly emerge on baryta paper is somehow special and when I saw the final photograph under normal light, with all the deep shadows, rich whites and smooth gradient in mid tones, I was very very impressed, despite the fact that my mentor was not so happy about my first print, but that was kind of expected:)
Read moreBlack and White Workflow – Part 1
Quite a lot of people, including my friends from Lightharmony, have been asking me how do I do mine Black and White conversions. So finally I have forced myself to start with this little tutorial about my workflow and black and white landscape photography in general. My attraction to black and white photography started sometime back in 2005, and as I mentioned in previous blog the main trigger for me was John Sexton’s book “Recollections”, where I was so impressed by all the different tones of gray, the precise compositions and the overall strong atmosphere of the photographs that I wanted to try it by myself. The whole transition process from color to black and white photography took me couple of years and approximately from early 2009 I have been seeing the world exclusively in tones of gray. I can say that this switch opens entirely a new world of landscape photography for me. Since, I am now focusing on composition and subject matter more than before and I am trying to keep my photographs as simple as possible. I have found that in some of my older color photographs colors play to big role and more or less are substituting for not very strong compositions. I also think that black and white photographs have kind of more abstract and mystery feel, which forces viewers to use fully their imagination:)
Read morePrix de la Photographie Paris 2011
I am more than happy to share my little success in the world of photography with you today. I was awarded a bronze medal for my entry "Iceland - Long Exposure" at the Prix de la Photographie Paris 2011 in category Book Proposal-Nature (Non-Professional). You can find out more about the competition here www.px3.fr . It was quite surprising when I found out about the result and in the same time it is also quite encouraging for the future.
Read moreNotes from Iceland II.
Continued from here. Hveravellir can be read as Hot Spring Fields and also looks and smells like that. In general, it's rather small geothermal place with smoking fumarolees and with colored boiling pools. You can jump and relax in one of them. It is an interesting experience to see and walk around but I was much more amazed by the surroundings of the road that led us there. Well, the road was sort of different, more adventurous of what we in Europe normally call road - our landcruiser proved to be the right tool to drive on it safely and relatively comfortably. Everything else around made me feel like I returned millions of years back in time. This is how the Earth must have looked like when it was being created.
Read morePhoto of the Week - May 29, 2011
This is one of the few photographs I took on Iceland, during my second trip in summer 2010, where luck played bigger role than precise preparation. There is very special thing about long exposures, you never know what the result will look like until you really see the final photograph. In this case the exposure time was 140 seconds and the ice formation was facing the incoming tide very bravely without being moved too much, so even on the big print both pieces of ice are still reasonably sharp.
Read morePhoto of the Week - May 12, 2011
Skogafoss is one of the most beautiful waterfalls on Iceland and also one of the most visited and photographed spots in the country. When we saw how many people are observing the waterfall during the day we decided to avoid the crowds and come at night, which fortunately never gets too dark during the long summer days.
Read moreIceland - Video
In this presentation you can see selection of my photographs I have taken on Iceland during two visits in this spectacular place. The first visit took place in summer 2009 and I had not particularly strong idea where to go and how to photograph Icelandic landscape. However, after the first arctic summer night I was sure that this place can give me a lot of opportunities to use my camera:)
Read moreNotes from Iceland I.
If you’re flying to Iceland one day, it’s likely you’ll take Icelandair because there’s not too many services that connect Reykjavik with the continental Europe. In such case, don’t miss your chances to browse though the on-board entertainment options and listen to the Icelandic music (not talking about folk, which I avoided by miles). Apart from the usual suspects as Sigur Ros and Bjork (remember Sugarcubes? :-)), you can get to hear less known bands and musicians that are often nothing short of pure reflections of a meditative remoteness of the island. There’s no better preparation for ambient mood of the place than giving ear to Ampop or Blindfold in your headphones and watching icy toppings of volcanos, wrinkled faces of glaciers, black sand beaches framed by white lines of crashing waves or countless veins of rivers deltas as the plane have reached Iceland. And yes, if tired by the melancholy, play Emiliana Torrini.
Read more